It was an earworm that lasted four dozen years, but it wasn’t a jingle, it was an algorithm. An equation George Legrady came across in 1986 in Scientific American has captured his imagination again ...

As an ardent advocate for digital art, I am convinced that given the ubiquitous nature of the technology, it emerges as the native medium for artists to express themselves in our time. One of the ...

The artist doesn’t see a divide between digital and traditional—just an overdue but inevitable expansion of what counts as ...

What happens when an algorithm curates an exhibition? It’s a question that Laura Herman, a doctoral researcher at the Oxford Internet Institute, is unpacking in “The Algorithmic Pedestal,” a show she ...

Snowflakes, flower petals, a galaxy’s spiral arms, a tiger’s stripes — these are all examples of naturally occurring patterns. Through computer programming using basic functions, matrix representation ...

MA Curatorial Practice presents artists Agnieszka Kurant and Jenna Sutela, and writer Shumon Basar, to speak with faculty member Noam Segal on rapidly evolving digital-art practices, data harvesting, ...

Presented with the support of OpenSea, Zero 10—which is debuting in Miami but will roll out at other Art Basel fairs next year—connects the expanding digital art community with the established ...

Despite the long-established and pervasive presence of the digital computer, computer art—untouched by human hands, if not by human minds—has somehow failed to gain traction, except in circles of ...